Best Chess Set Ever 3X Tournament

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.

The tallest piece at 4 inches, crowned with a cross finial and standing on a 1.8 inch base. Ivory white and black, both in a clean matte finish.

A rounded coronet with twelve points, under a ball finial. You get two in each colour, counting the extra queens that come in every box.

A modern take on the mitre, with one clean curved cut. At 3.3 inches it reads clearly against the king and queen from across the table.

A carved mane and a squared jaw, the one piece in a Staunton set with real character. It stands 2.8 inches on a 1.4 inch base.

Four crenellations on a straight tower, 2.6 inches tall. The widest base of the minor pieces, so it sits firmly in the corner.

Sixteen of them, 2 inches tall on a 1.3 inch base. Small, but weighted and felted like everything else on the board.